The Grove ~ Anaheim, California
July 2, 2002

Thanks to Sandi for the pictures!



'seeing you again, was the sweetest torture I may ever know" (to quote a song he won't play in concert).  Ah yes, another  concert year come and gone.  Another year to wait for the next tour, hopefully with a new cd on the way.

 
Mr. Versatile was at his best again, even with a shiner on his right eye he said he got when he popped himself with his guitar the other night, ouch.  This concert was a fun divergence from the solo acoustic tours of the previous years.  It was also different hearing him inside a hall as opposed to outdoor venues like Red Rocks, Humphries and the Greek.  I felt the acoustics of the building enhanced the exquisiteness of his voice on his beautiful 'Leader of the Band'.  I heard it like I've never heard it before.  He adds something new to such old favorites every time he tours.  That's why his concerts are never dull or repetitive but the words and melodies open new windows on the heart and soul.
 
I believe the set list was pretty much the same as other venues although  I did miss Beggar's Game this year.  The piano set up was unfortunate because one could not view the virtuosity of his piano playing.  So far Humphries has had the best set up for that if you are on the left side of the audience.
 
During 'Make Love Stay', right after the second line with the word 'exhumed', a waitperson dropped some glasses and Dan cracked up, it was hilarious timing. Also his guitar became out of tune during the song and we got to enjoy him retuning it, usually the crew does, and it kind of made me think of him as a young teenager again, learning to play and just picking notes and tunes out on his guitar.  My sister saw it more like a master coaxing the perfect sound from metal and wood.
 
He finished out the evening with a set on the electric guitar. His blues voice was in great shape, seeing as it was near the end of the tour, and his Muddy Waters rendition was fantastic.   A fun highlight was a raucous rendition of 'Rocky Mountain Way' co-written by Joe Vitale on drums.  Dan can rock out on the electric and the crowd loved it.
 
Well, wish I was going to Humphries tonight.  Seeing Dan once a tour is not enough.   Thank you Dan, may we sculpt the souls of our children as gently and poetically as your father did with yours.
 

kat3



Dan was sensational! I had no intention of writing a review of this concert, and have no formal play list, but feel compelled to share some high points from this stunning 3-hour performance. This is my 19th Fogelberg concert, and it was indeed a special one. I also appreciated the fact that the woman sitting next to us said I didn't look old enough to have seen him 19 times! Well, I've seen it all, including a concert at the University of Illinois (Dan's and my alma mater), with his father in the audience, while he sang Leader of the Band to him.

From my first row seat, I immediately spotted Dan's black eye. He said that he hit himself with his guitar but of course that brought on many snickers. Speaking of guitars, it was great to see all of Dan's guitars that we don't normally see through what has been several years of acoustic shows. I'll admit that my husband and I were skeptical of this band show. We tend to prefer the acoustic shows, and in some of the band shows in the early 90's, Dan seemed to try to rock on every tune, whether it was a rock song or not. Not so on this tour, and the band was fabulous.

Dan did an especially nice job on the guitar and piano intros to his songs. There was a fabulous guitar session leading into Changing Horses, always a treat to hear. But the highlight of the night for me was the stunningly ethereal To The Morning, which Dan said that he and the band would play for the first time, as it was intended to be played live, as a gift from me to you, he said. What a gift it was; it had me in tears. He also jokingly mentioned that Home Free finally just received Platinum status, 30 years later.

During an especially poignant Make Love Stay, someone dropped a plate on the floor, completely breaking the mood of the song. Dan rolled his eyes, smiled, and then immediately swept himself back into the song. After it was over he said, I probably deserved that. He had earlier been making some jokes about his memory of last year at the Grove Theatre (then called The Sun), when he was making fun of an alleged fried chicken smell.

Another high point, always for me, was The Reach. When Dan takes out that 12-string guitar, my heart stops, and you can tell it's him playing even if you are blindfolded. Dan's voice was stronger and clearer this night than it's been in years. Although the nice vocals of the band always help, even during the solos, he was very, very strong. Something was missing though - "THE CHAIR". Yes, the old brown chair complete with brass nameplate was conspicuously missing. Dan also did the usual lovely embellished piano versions of Run for the Roses and Same Old Lang Syne.

After the acoustic set, Dan introduced his band, which included Joe Vitale of Joe Walsh/Eagles fame, and Mark Andes, of Firefall, Spirit and Canned Heat (!) fame. Dan mentioned that Joe Vitale had co-written Rocky Mountain Way, and the next thing we knew, Dan and the band did a great rendition of that song with Joe Vitale on vocals! What a treat! Then he talked a bit about Mark, and then went into a rendition of Firefall's Strange Way, which was also great. OK, I'll admit that I did like Firefall. I also liked Canned Heat and was screaming for a Canned Heat song but that wasn't happening. Instead we did get a damn good Muddy Waters song, and, another highlight, Dan played the great Empty Cages from Innocent Age. He really rocked, okay, he kicked ass and I've just never seen him look better on the electric guitar.

Dan came back for an encore and on a whim I yelled out "Gambler". To my shock, and a few more tears, he played the beautiful There's a Place in the World for a Gambler, which he obviously had intended on playing. He had us sing during the choruses as usual, but taunted us by making us sing a longer than usual chorus. As if one could top that, he came back for one more encore of George Harrison's If I Needed Someone, done very nicely, with his new (3rd or 4th?) wife on tambourine and background vocals.

That's it! I, and many others, walked up to the stage with an outstretched hand hoping for a repeat of the handshake I was lucky enough to get at the Greek Theatre some years ago, but it wasn't happening tonight. No matter. Dan gave us a strong, beautiful show with a smile on his face, and some great classics and rarities to remember. I have been listening to Dan's music since 1975 when I bought Souvenirs and after all these years, I still love this great man and singer-songwriter, who has truly, lived his life so well.

Tina Lustig



It was an evening just like any other evening, changing clothes in the bathroom of a gas station in Southern California.  Actually, we had arrived near The Grove approximately an hour before the show... ...not enough time to find Sandi's friends house and make it back before the show started... ...so we changed at the gas station.  Sandi was glad they had an electrical outlet in there so she could plug in her curling iron.

 

We arrived at The Grove about a half hour prior to the show.  I had brought copies of my sketches of Dan, to give to him, plus my Home Free/Souvenirs Songbook for signing.  I only had the copies because I had given the originals to Kim and Sylvia for helping me get back to Indiana to see Dan at the Belterra Casino last year.  I explained this on the back of the sketches I had brought with me.

 

We found our seats and I looked around for Yvonne and family but did not see them.  Thanks for the tickets Yvonne!  Sorry we never hooked up... ...I was looking forward to meeting you and yours.

 

I then started hunting down management.  Security person one called security person two who said to get in contact with Susan.  They did and she came over to talk to me.  I explained who I was, about wanting to give the sketches to Dan, and about wanting to get the song book signed.  She said she would take them and put them in his dressing room with a note of instructions. 

  

I returned to my seat where my lovely lady had already made friends with those nearby.  One couple had stated they had found out about the concert being at The Grove from finding Ever On.... ...by the way, that evening at The Grove marked the two year anniversary of Ever On being a web site.  

 

The house lights went low and the band started coming on stage to the accompaniment of applause.  "Ladies and Gentleman, Please Welcome Dan Fogelberg".  The stage lights came on and Dan stepped to the microphone (No wooden chair, no little wooden table with a cup on it) wearing a tan sport coat, white button up collarless shirt and brown BOOTS.  No sandals this go round... ...I liked the boots much better.

 

Dan was also sporting a huge shiner to his right eye.  He said he had banged his head with his guitar.  I'm still trying to figure out how to give yourself a black eye with your guitar... ...so that I can avoid doing it.

 

They started off with Dan on guitar while they played "Magic Every Moment", and being with Sandi at this concert was special.  Dang it was great to have her there to wrap my arms around.  Dan's voice sounded great... ...it was gonna be a magical evening.

 

Next up he moved to the piano as they performed "Heart Hotels", always a favorite of mine.  "...And rooms filled with reckless pride..."  Always a reminder that there is no room in a relationship to be prideful.  It doesn't matter who is right, it matters what is right... ...I'm still trying to learn this... ...it is not easy and I ask forgiveness from those with whom I've closed my soul to in the past and would not try to look from their viewpoint or even more so, Christ's viewpoint.

 

He then moved back to the guitar and center stage for "Hard To Say" and those haunting and truthful lines... "...It's hard to walk away from love, It may never come again...".  I pray I never walk that lonely road again.

 

He stayed with guitar on the next song as well... ...can't remember if it was the same one... ...it seemed like every time I'd blink my eyes he'd be handed a different guitar. (Okay Brett, quit coveting.)  The song started of with an instrumental piece and I had no idea what he was going to play... ...then it flowed into "Changing Horses". 

 

Looking farther than you'll ever hope to see 
Takes you places you don't know 
Search for someone you can't ever hope to be 
And still you go Oh, still you go

 

Those are the feelings I had as I wrote the song "Oh, That I Might See".

 

He handed off the guitar and moved back to the piano for a song he said that he had never been able to play it in concert the way it was recorded before, so thanks to the band, for the first time he was able to do it.  "To The Morning".  It was more than beautiful.  I believe he wrote this at age eighteen, sitting at the piano in his parents home, watching the sun rise.

 

And it's going to be a day
There is really no way to say no to the morning
Yes it's going to be a day
There is really nothing left to say but come on morning

 

I try to think of this when my anxiety gets to me and tries to keep me from facing the day.

 

He stayed at the piano and played "Run For The Roses" ~ always beautiful.  He then moved back to the guitar (not sure which one) and jammed "Morning Sky".

 

Ooh, and it makes me stop and wonder why 
People give their hearts and turn around and say goodbye

 

Wouldn't it be nice to know from the beginning.  It sure would save a lot of broken hearts.  But as Garth Brooks (Dan was one of Garth's influences musically as he grew) put it in his song "The Dance":

 

And now I'm glad I didn't know
The way it all would end the way it all would go
Our lives are better left to chance 
I could have missed the pain
But I'd of had to miss the dance

 

Yes my life is better left to chance
I could have missed the pain 
But I'd of had to miss the dance

 

Next up was my favorite waltz of all time... ..."The Reach"...

 

And the morning will blow away as the waves crash and fall 
And The Reach like a siren sings as she beckons and calls 
As the coastline recedes from view and the seas swell and roll 
I will take from The Reach all that she has to teach 
To the depths of my soul 

 

Sometimes we spend so much time hurrying/scurrying along on this planet Earth that we don't stop long enough to smell the roses.  After the concert I told Sandi that we should have got up and waltzed in the hallway, still in view of the stage but not blocking the view of others... ...dang I wish I would have thought of it as it was being played.

 

...I just remembered the Simon & Garfunkel song; "59th Street Bridge Song"

 

Slow down, you move too fast, 
You've got to make the morning last 
Just kickin' down the cobble-stones, 
Lookin' for fun and feelin' groovy, Feeling groovy 
Hello lamp-post, what's you knowin', 
I come to watch the flowers growin' 
Ain't you got no rhymes for me, 
Do-it-do-do-do, feelin' groovy Feeling groovy 
I got no deeds to do, no promises to keep 
I'm dabbled and drowsy and ready to sleep 
Let the morning time drop all its pebbles on me 
Life I love you, all is groovy

 

My hope is that we can all slow down long enough to take from the reach all that she has to teach to the depths of our souls... ...wherever our special reach may be.

 

I can't remember for sure but I think after "The Reach", the band left the stage and they brought out "The Wooden Chair"  for Dan to go into the Solo Acoustic set starting with "Make Love Stay".

 

 And as stated in the other reviews, those plates crashed to the floor and Dan stated with a smile on his face" I probably asked for that."  and it brought laughter to the audience... ...he then finished the song.  

 

I asked Sandi how do we do it... ...I found out that she has about as much an idea how to make love stay a I do... ...who knows?


Somewhere along the line while Dan was handing off one guitar and being handed another I yelled out; "A Man, A Woman And A Duck".  I could see it brought a smile to his face but he made no comments on the subject

 

Still on guitar, he then went into another beautiful intro which leant no idea to what was going to be played... ...it was "Leader Of The Band"  which brought much applause from the audience.

 

At one point during his solo set I saw him tuning his guitar as well, but I didn't remember it being during a song.  And my thoughts on this re-tuning was possibly changing to an alternate tuning such as standard to double drop D or any other of the many various tunings that are available.  What I did covet was his ability to just quickly turn a couple of the knobs and have it where he wanted it... ...while I must dig out my tuner or use the one on my computer.

 

He then moved to the piano and again played another beautiful intro that led into "Same Old Lang Syne" ~ Yes, I still love to hear this song year after year, especially when he does a change up of how he starts it out.

 

Next up he brought the band back out and introduced them.  He spoke of the drummer, Joe Vitale, who co-wrote "Rocky Mountain Way" with Joe Walsh so they jammed that one real good.  It seemed kinda funny... ...Dan doing "Rocky Mountain Way" ~ took me back to The James Gang featuring Joe Walsh days.

 

He then said they were going to do a Firefall song as he introduced Mark Andes.  I yelled out "Cinderella" (My favorite Firefall song) and Dan smiled and said "No. Strange Way." and then they played "Strange Way".  I first heard of Firefall when I was in the Navy and one of my Navy buddies was from Boulder, Colorado, Firefall's hometown.  I had never seen Firefall so it was a treat to hear this song live.

 

They next played a really kickin' instrumental that either:

 

a) I didn't hear the name of it.
b) He didn't say the name of it.

 

They next went into a couple of blues tunes.  The first was a Robert Johnson number called "Walkin' Blues" I think.  I love to hear Dan sing the blues.  Robert McEntee kicked in some killer harmonica on this.

 

The second one Dan said they were going to do one by Mackinley Morganfield and nobody in the audience responded... ...until Dan said Muddy Waters as he is mostly known by... ...then everyone cheered and the band played "Blow Wind Blow".

 

After that they played a song that became my favorite for the evening... ..."Empty Cages"... ...I love to see Dan play that electric and I love this rockin' song of his.

 

Long before we come of age we yearn to leave the garden
And wrestle with a myth the hand of fate has faintly drawn
But somewhere on the way we feel our hearts begin to harden
And see just as we learn to turn around
The garden is gone

 

"Part Of The Plan" came up next... ...and one day we'll all understand...

 

They all left the stage as the crowd roared for more and continued to do so until they came back.  And then he sang it... ..."There's A Place In The World For A Gambler".  And on the last verse he tried to get us to do the "Let It Shine" without him singing and he kept saying "LOUDER!" so I let loose.  I even sang it that other way he does it where he goes up high and then down through the scales.  When I did it, Dan looked over my direction with a bit of a surprised yet happy look on his face.  And Sandi said other's in the audience looked over my direction when I did it as well.  I asked her if he/they were looking my direction because it was bad or good... ...she said it was because I did it well.  I hope so... ...oh well, I'll never see those people again anyway.  One thing missing from this song was the lighters... ...no lighters being swayed to the song... ...it's okay... ...they could have had all the lights out and it still would not have taken away the joy of hearing this song.

 

His 2nd encore he brought out his wife and introduced her.  I believe, if my memory, or lack thereof, serves me correctly, Dan spoke of the passing of George Harrison.  Then they played a Beatles tune, "If I Needed Someone" with Jeanne providing background vocals and tambourine.

 

And then they were gone... 

 

Sandi was able to talk one of the security dudes to give us the photocopied page of passes.

 

I tracked down Susan and she ushered us off to a side room where we were to wait for either the band members to come through or Mario to bring my signed songbook.  We saw some of the band members leaving through the lobby and we walked up to them, chatted a bit and had them sign the pass page. 

 

A little later a woman came in and talked to this other group of people and said for them to follow her backstage.  I followed too.  Sandi waited back in the other room.  I talked with a couple more band members, got their autographs on the pass page and looked around for Dan.  Jeanne was a few feet away talking with the group I had followed but Dan was not in sight.  There was a room off to the side of where Jeanne was standing... ...I imagine that Dan was probably in there.

 

Another man came up and asked what I was doing and I told him I was waiting for Mario to bring me the signed book.  He said he would track him down but asked me to wait right outside the door as I had no backstage pass.  I waited on the stage and Sandi came and joined me.  We shuffled from this spot to that spot as we waited so not to be in the way of the roadies.

 

Finally the man came out and handed me my book... ...signed by Dan.  I had left a black marker for him to sign it with but it was signed in gold... ...which showed up better than the black would.  Either he had a gold marker or everything he touches turns to Gold, Platinum or Multi-Platinum.  

 

 

We could have waited around on stage to see if Dan would come out soon but we decided to call it a night... ...knowing how when Dan leaves he usually keeps on trucking straight to his ride without stopping.

 

We left through the back of the stage where we saw a crowd gathered outside of a fenced in area.  I stopped long enough to show the autograph and then we left.

 

A beautiful evening with beautiful company...

 

"Carpe Diem"

Brett

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